Clàudia Baulies

Who am I?

I’m Clàudia, a composer and sound designer with over 6 years of experience crafting immersive audio for media.

As a classically trained composer, violinist, and synthesizer enthusiast, I love working on projects that blur the frontier between music and sound design, thinking of sound as music, and music as sound.

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What I offer:

Pricing and Process:

Every project is unique, and I take the time to understand your film’s specific needs before providing a quote. It’s also important to ensure we’re the right fit to collaborate effectively.

1. Reach out via email or the contact form below to schedule a consultation.
2. We’ll start with a complimentary “discovery” video call to discuss your vision and requirements. Together, we’ll break down your project and explore how I can elevate it to the next level.
3. Within 48 hours, you’ll receive a formal, comprehensive quote. I understand that projects evolve during production, so we’ll plan ahead to ensure flexibility and avoid any surprises.

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feel free to email me at claudia@claudiabaulies.com

testimonials:

Santiago Velásquez

Director and Sound Recordist

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When we began working on the post-production of Antes del temblor, I was certain that sound design would be a crucial element in giving the film depth and substance. This was my first time collaborating with Claudia Baulies, and I sincerely hope it won’t be the last, as I believe it was one of the best decisions we made for the project.

From the very beginning, Claudia stood out for her warmth, respect for the project, professionalism, and commitment. Communication with her was always smooth and effective, which made any last-minute adjustments or changes much easier to handle. She was also always willing to adjust schedules and prioritize deliveries, which was essential in a process that, as usual, had its stressful moments and tight deadlines. Claudia not only delivers on her promises but shows true dedication to ensuring everything turns out well, generously adapting to the evolving needs of the project.

In terms of the creative aspects of our work together, collaborating with her was equally enriching. Claudia makes a sincere and deep effort to understand the sonic core of the film: it’s not just about meeting technical requirements but about researching and making suggestions from a place of genuine understanding of the narrative universe. She has a unique sensitivity for identifying details that can enhance the auditory experience and take the project to the next level. We honestly had a lot of fun exploring soundscapes together.

One part I remember with particular fondness was working on the credits song. In that creative flow, Claudia immediately grasped the idea for those final minutes and developed it brilliantly in a very short time. It was a collaborative and rewarding process, and the result was far more powerful than I had imagined.

Claudia also has an innate talent for listening and finding solutions, something that becomes especially evident in how she deals with errors or complications in direct sound. Where others might simply resign themselves to patching up the issue, she finds a way forward. This was particularly evident in how she approached dialogue editing. There were segments with severe production sound issues that seemed almost unsalvageable, but thanks to her talent for listening and her technical precision, she not only fixed them but seamlessly integrated them into the rest of the soundscape.

In short, working with Claudia Baulies was a truly inspiring experience. She is a sound designer with immense talent, dedication, and a natural ease for teamwork. Her ability to listen and contribute both technically and creatively allowed Antes del temblor to achieve a sonic dimension that gives it a life of its own.

Claudia was one of the first people to join our team, helping to nurture the seed of this project. She’s always approached it with deep listening and respect for the natural pace it requires. Her innate creativity and inventiveness continually impress me. She can produce the most alien sounds from traditional instruments or evoke deeply human tones from the synthesizers she uses.

Working with someone who approaches sound design musically, and soundtracks with a designer’s mindset, is truly a gift. Her ability to prioritize the project’s needs with complete honesty, above all else, is invaluable in such intimate and carefully crafted creative processes.

Clàudia Romeu

Director & Editor

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Clàudia Vernis

Film Director

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I’ve had the chance to collaborate with Clàudia in two short film projects, both as a composer and a sound designer, and I would absolutely recommend working with her. Not only do her expertise and background guarantee great quality, but her enthusiasm for the work that she does makes the process a great collaborative experience. She is focused, a great communicator, and her upbeat personality is a pleasure to be around. I know I will continue to reach out!

Some of my latest projects:

Don Benjamin: Una Vida Entre Llamas

Now, the world where he built a home for his family turns to smoke and ashes. Don Benjamín is a raw yet poetic journey through a magical region at risk, the Bolivian Amazon.

Duration: 30″
Genre: Fiction
Year: 2022
Direction: Ivan Zahinos
Production: Medicus Mundi Mediterrànea
Sound Design and Surround Mix: Claudia Baulies

Awards and Festivals:
- Qualified for Best Short Documentary, Academy Award, USA, 2025
- Pre-nominated for Best Short Documentary, Premios Goya, Spain, 2025
- Silver Dragon to the Best Short Documentary, Krakow Film Festival, 2024

Un castell, una fada, una princesa i el Gat

The patience of the mysterious master of this castle has run out; with the prince missing, the princess will be forced to leave. As she searches through the corners of her old home, she will uncover secrets to help her embark on a new path.

Duration: 15″
Genre: Fiction
Year: 2023
Direction: Claudia Vernis
Production: Lamalanga Produccions
Original Soundtrack, Sound Design and Surround mix: Claudia Baulies

Awards and Festivals:
– Currently in distribution.

No encuentro mis últimos sueños (I can’t find my latest dreams)

After his father’s departure, David begins to take medication to try to overcome his grief. He will attempt to stop taking the drugs because of the side effects, but these will cause a series of hallucinations about a lucid world through which he will navigate, trying to understand these internal memory gaps.

Duration: 15″
Genre: Fiction
Year: 2022
Direction: David Espel
Original Soundtrack, Sound Design and Surround mix: Claudia Baulies

Awards and Festivals:
– Currently in distribution.

Cómo filmar a las flores (How to shoot flowers)

“How to shoot flowers” is a personal essay film, where artistic creation and expression, such as the stop-motion animation or the liberating dance, become the medium to overcome a difficult time.

Duration: 14′ 53″
Genre: Essay film, Documentary
Year: 2022
Production: Francesca Svampa
Direction, Photography, Editing: Francesca Svampa
Original score and Sound Design: Claudia Baulies

Awards and Festivals:
- Best Documentary Short Film, Pennine Film Festival, United Kingdom, 2023
- Special Mention at the 3rd Matiff Matera International Film Festival, Matera, Italy, 2022

Agua y más agua (Water and more water)

An oniric portrait of Barcelona –filmed in double exposition and 8mm reversible film– is intermixed with an intimate voice that creates a collage of micro-memories.

Duration: 6′ 12″
Genre: Experimental, Ensayo, Documental experimental
Year: 2021
Production: Francesca Svampa
Direction, Photography, Editing: Francesca Svampa
Sound Design: Claudia Baulies

Awards and Festivals:
- Critics' Award, Catania Film Festival, Italy, 2022
- Best Experimental, FICU Lanterna, Mexico, 2022
- Best Experimental Short Film, Top Indie Film Awards, Tokyo, Japan, 2023

Para ver lo que quiero ver necesito más que los ojos (To see what I want to see I need more than the eyes)

An orfic voyage. A film buried in winter and dug out the following spring. The death and resurrection of a filme; the celebration of the circular mystery.

Duration: 7'
Genre: Experimental, Video Art
Year: 2019
Production: Arnau Padilla
Direction, Photography, Editing: Arnau Padilla
Original Soundtrack and Sound Design: Claudia Baulies

Festivals
- Festival Punto de Vista, Pamplona, Spain, 2020
- 18º Festival Internacional Signos da Noite, Lisboa 2020
- AT THE FRINGE International Arts Festival, Tranås, Sweden, 2020